The album is at once a reckoning and a self-conscious pivot.
Motor City channels the spirit of the vigilante films and other exploitation genres of the 1970s.
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The Japanese auteur’s latest shows nothing more clearly than its untapped potential.
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The film, written by Efthymis Filippou, is a cartoonish cavalcade of pseudo-provocation.
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By the end, the film’s critiques build to a significant revision of the myth of the Trojan War.
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The singer has yet to discover a sound or sensibility that truly distinguishes her.
The singer has teased a new release date for the set and announced a companion album to boot.
The Leeds junglist tells a story in the wrong order, in the right way.
McElwee discusses, among other things, his new film and staring down the loss of his son.
There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
The show has trouble leaning into kick-ass naughtiness for more than a few minutes at a time.
The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
The common refrain this season has been one of despair, of theatrical death by dearth.