The film proceeds for a spell as a study of the surfaces of glamour, and an alluring one at that.
Romería could be seen as a sequel of sorts to Carla Simón’s autobiographical Summer 1993.
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This is a film Todd Haynes might have made if he had a background in sketch comedy.
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The film is a tough character drama with a mournfully humanist center.
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This is a creepy horror tale that also happens to be a potent and poignant teen romance.
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The album is acrid, elegiac, a little ridiculous.
Most of the album proceeds unhurriedly, both immersive and atmospheric.
Australia’s psych-rock jesters fend off ecological doom with cosmic fury.
The Aussie director discusses why horror was the right vessel for his commentary.
In conjunction with Disclosure Day’s release, we ranked all of Spielberg’s features to date.
The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
The common refrain this season has been one of despair, of theatrical death by dearth.
The play is a metaphor for a life in the arts, though also possibly love, or living a purposeful life.